CHANGE

For all its cool, grit, and darkness, it can be easy to miss the humor in William Gibson’s work. From Neuromancer to his scattered forays into culture criticism, there’s always been a current of sharp wit beneath his techno-apocalyptic topsoil. Hop over to Twitter, where Gibson’s handle is @GreatDismal, and you’ll find his timeline littered with retweets of missives both dire and hilarious. Archangel, the foundational cyberpunk author’s first foray into comics, alongside co-writer Michael St. John Smith and artists Butch Guice, Alejandro Barrionuevo and Wagner Reis, isn’t “funny haha,” but in the series’ final panel, it’s clear the narrative hinges on a bleak, cosmic joke. As the sci-fi adventure concludes, our unnamed, tattooed hero, the Pilot finds himself in 2016. Fresh from preventing the deranged Vice President Junior Henderson from rearranging history back in 1945, the Pilot finds his world’s no longer an irradiated wasteland, but it’s… well, it’s something else. Something fam

Before Marvel enters into a new publishing era with Marvel Legacy, the company is publishing 10 Generations one-shots that introduce a newer iteration of an established superhero to their original counterpart. The first issue is Generations: Banner Hulk & The Totally Awesome Hulk #1 from the creative team of Greg Pak, Matteo Buffagni, Dono Sanchez-Almara and Cory Petit. Taken by itself, it’s a fine issue that answers the question of what happens when you toss Amadeus Cho’s free-spirited Hulk into the past to cross paths with Bruce Banner’s decidedly more pessimistic Hulk. Problems arise when the reader tries to patch together exactly where and when around the current Secret Empire saga these events take place. RELATED: What Generations: Hulk Tells Us About Marvel’s Legacy Plan Since the time Amadeus embraced all that comes with being a Hulk, fans haven’t had the opportunity to see him interact with his “big brother” until now. In that sense, Generations: Banner Hulk & The Tot

The two first scenes of William Gibson and Butch Guice’s “Archangel” #1 combine for an attention-grabbing, concise setup of the primary conflict. There are some daunting mentions of “atoms” and “quantum transfer,” but the underlying bones are familiar and simple: an evil guy travels back to 1945 to take his grandfather’s place. The man in question is an American vice president, and his real mission — dubbed “Archangel” — is left sketchy on the details, to be fleshed out in future issues. Gibson throws the reader right into the action, avoiding any information dumps. After the antagonist is in place in 1945, Gibson quickly introduces several other important characters in both 2016 and 1945. “Archangel” #1 is military fiction even more than it is science fiction, and the revelation of Major Torres’ true allegiance and her strategy also have a strong flavor of spy fiction. The conversation between Torres and Dr. Davis is enlightening, but one wonders why Torres didn’t blow things up be

If you love giant transforming robots, and sequels starring giant transforming robots, you’re probably aware that it’s only a few months until the release of “Transformers: Dark of the Moon,” the third installment of Michael Bay’s Transformers canon. Of course, if you’re anything like me, that’s not the giant robot sequel you’ve been waiting for. Instead, it’s this: “Incredible Change Bots Two,” the reappearance of Jeffrey Brown’s more idiosyncratic take on the giant transforming robot genre. The plot picks up where the original left off. The Change-Bots have left earth, with an uneasy alliance formed between the Awesomebots and the Fantasticons. On earth, Shootertron – the evil leader of the Fantasticons – returns from his apparent death, an amnesiac and confused. At that point, he’s taken in by a kindly old couple and raised as their child, Superman-style. Michael Bay’s “Transformers” this clearly isn’t. When the military accidentally jogs Shootertron’s memory, it’s up to the retur

Dark Nights: Metal creators Scott Snyder and Greg Capullo packed the first two issues of the series with characters, story elements and plot threads that extensively laid the groundwork for the remainder of the series. With all those aspects laid out, though, Snyder and Capullo now have a rich backdrop that they can utilize to more straightforwardly move their story ahead, and Dark Nights: Metal #3 begins to do just that. Moving from setup to execution mode, both creators are now free to speed down the multiversal highway, with the pedal truly to the metal, as the event begins to capitalize on the past issues’ investments. RELATED: METAL: Gotham Resistance Discovers the Evil Batmen’s Weakness The allure of the event’s first issue was the sheer wealth, depth and breadth of scope that Snyder gave his story, further embellished by Capullo’s implementation of it. The second issue excelled as Snyder continued to throw in everything but the kitchen sink — although he probably managed to do

In the 1960s, Hanna-Barbera broadcasted a comforting notion onto the family room TVs of America: the nuclear family was an everlasting institution, both pre-historic and futuristic. The Flintstones were, after all, a “modern” Stone Age family, and their Space Age, future-flung counterparts the Jetsons just as solidly illustrated the concept of the nuclear family unit. The cast of the sitcom — George Jetson, his wife Jane, their kids Judy and Elroy, their dog Astro and robotic maid Rosie — reflected midcentury American ideals, and suggested the future would feel pretty much like the present, only the gadgets would be cooler. PREVIEW: The Jetsons #1 The future is considerably more dire in writer Jimmy Palmiotti and Pier Brito’s new mini-series The Jetsons. It’s the latest DC Comics series to reimagine the Hanna-Barbera properties, and like the brilliantly dour The Flintstones, it feels familiar but explores concepts barely hinted at by the source material. It’s easy to hop on board. T

While Planning A Trip With Iberia Airlines, If You Need To Change Your Flight For Any Reason, Refer To Iberia Airlines Change Flight Policy. Here, You Can Get To Know About All The Relevant Steps That Are While Changing Your Flight. Iberia Is A Spanish Airline Primarily Based In Madrid. However, The Airline Provides International Service From The Main Base, The Barajas & Madrid Airport. On The Other Hand, It Is Divided Into Three Cabins Business Class, Business Plus & Economy. What Is The Process For Changing A Flight With Iberia Airlines?If You Wish To Change Your Current Flight Book Due To Any Reason & That Too Without Any Unwanted Trouble, Then Go Through The Below Steps:-Access To The Iberia Airline Official Website.Now, Log In To Your Account. Look For The Manage My Booking Option On The Homepage. Here, Access Your Flight Reservation Details & Can See Various Options.However, You Can Look For The Flight Change OptionMoreover, Click On It.Here, E